The Anuna Leave Ur: An Irreversible Divine Verdict and Finite Kingship
Exact P346217 report: the assembly’s verdict cannot be reversed, Ur’s kingship is finite, and the un-restored Anuna of Ur act collectively by going outside the city.

Ancient text and site reading
How to read this record
- Claim type
- Historical / textual + interpretive
- Evidence level
- Sources, translations, measurements, and symbolic reading where present
Use the evidence layer for sources and observations, and the interpretation layer for TheCode.Wiki synthesis.
Main result: the tablet preserves a compact sequence in its own writing. The assembly’s final judgment cannot be revoked; the word of An and Enlil cannot be overturned; Ur’s kingship was granted but not forever; Nanna and Ningal leave; then obverse 19 names {d}a-nun-na-bi, “its Anuna,” as a plural collective that goes or steps outside Ur. The Anuna action is direct and un-restored, but the stanza does not explicitly make them the authors of the verdict.

Why this exact tablet matters
CDLI P346217 identifies the object as an Old Babylonian literary tablet from Ur, held by the British Museum, excavated as U 16900h, published as UET 6 no. 132, and classified as a witness to Lament for Sumer and Ur. The exact photograph visibly carries the painted identifiers U.16900.H and UET. 6/132. The exact line drawing is headed “132” and numbers the relevant obverse rows.
The 2496×5983 photograph and 1136×3067 drawing were opened at original resolution. The clay tablet is a large, densely written multi-column-like single-column object with obverse, reverse, edges, and ruled line flow preserved. Surface abrasion is substantial in the middle, but the core obverse rows remain traceable in the exact copy.

Image-to-text hard gate
The line drawing’s printed 5, 10, 15, and 20 marks control the loci. Obverse 7 maps to composition line 364; obverse 19 maps to line 377. The exact photograph independently verifies artifact identity and whole-row survival. The textual classification is exact_line_art_or_squeeze_visible, with conservative photograph_visible row survival. Sign values, morphology, syntax, and translation remain edition-guided.

Published translation and cautious working translation
Obverse 7 / composition 364: di#-til-la inim pu-uh2-ru-ma-ka szu gi4-gi4 nu-gal2. Published composite: “The judgment uttered by the assembly cannot be reversed.” Working: “A concluded judgment—the assembly’s word—cannot be revoked.” The initial DI is damaged-readable; the decisive clause is not restored from another witness.
Obverse 8 / composition 365: inim du11-ga an {d}en-lil2-la2-ka szu bala-e nu-zu. Published: “The word of An and Enlil knows no overturning.” Working: “What An and Enlil have spoken cannot be reversed.”
Obverse 9 / composition 366: uri2{ki} nam-lugal ha-ba-szum2 bala da-ri2 la-ba-an-szum2. Published composite: “Ur was indeed given kingship but it was not given an eternal reign.” Working: “Kingship was granted to Ur, but no everlasting term was granted.”
Obverse 19 / composition 377: uri2{ki}-ma {d}a-nun-na-bi bar#?-ra#? ba-sug2-ge-esz. CDLI’s exact-witness translation says, “The Anuna of Ur stood outside”; the normalized composite says, “The Anuna stepped outside of Ur.” Cautious working: “The Anuna belonging to Ur went/stepped outside.” The group name and plural finite verb are un-restored; BAR.RA is damaged and uncertain, so the report does not force a finer motion nuance.

What the passage actually says
The composition dramatizes the fall of Ur through divine decision and abandonment. In this exact witness, Enlil responds to Nanna. He says that the assembly’s final verdict is irreversible and that the word of An and Enlil cannot be overturned. Kingship had been assigned to Ur, but its reign was not eternal. Nanna is told to leave; Nanna and Ningal depart; the Anuna of Ur then move or stand outside.
The agency boundary matters. The assembly’s judgment is named, and An and Enlil are the named sovereign speakers. The Anuna are explicitly the subject only of the departure/outside clause. Their action shows an organized city-linked divine collective participating in the withdrawal that precedes civic catastrophe; it does not, in this stanza, prove that they drafted or issued the verdict.

Kingship as a bounded divine grant
Lines 366–369 are especially useful for the kingship proof gap. The source does not treat kingship as a permanent human possession. Ur received it for a term, and that term could be exhausted under the divine order. This supports a historically grounded model of Mesopotamian political theology: rule is allocated, bounded, and removable.
The witness also supplies a corrective to simplistic “Anunnaki did everything” claims. The Anuna are present and act collectively, but the text differentiates them from An, Enlil, Nanna, and Ningal. Preserving those role distinctions is essential to any cumulative argument.
Corpus relevance and the Sitchin question
This tablet advances the judgment, divine decree, kingship, city-order, and direct-group-agency gaps. It supports the limited proposition that Sumerian tradition represented the Anuna as an organized divine collective attached to a city and capable of coordinated action when divine authority withdrew protection.
It does not identify extraterrestrials, name Nibiru as a planet of origin, describe spacecraft, preserve genetic engineering, or document advanced machinery. The passage is a city lament and a theology of judgment, finite kingship, abandonment, and catastrophe. Its direct Anuna action is departure, not technical intervention.

Sources and method
- CDLI P346217 / U 16900.H / UET 6, 132 — exact artifact catalogue, photograph, line drawing, transliteration, and witness translation.
- CDLI Q000380 / P469682 composite — normalized Sumerian text and published translation for composition lines 364–377.
- ETCSL 2.2.3, Lament for Sumer and Ur — independent composition translation and line control; direct shell transport was unavailable during this run, while the current public page remained browser-accessible.
- ORACC AMGG: Anunna — terminology, city-pantheon range, and historical function control.
Image credit: exact photograph © The Trustees of the British Museum, displayed by CDLI under CC BY-NC-SA 4.0. Exact line drawing: UET 6 no. 132 via CDLI; publication attribution retained. Annotated derivatives preserve those credits.
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