Exact published line art of CDLI P338325 STT 1 9

Tony Canon

Claim type: Spiritual testimony / visionary interpretation

Evidence level: Personal revelation and symbolic synthesis unless otherwise cited

This belongs to Tony Canon and is not presented as conventional third-party biography or institutional record.

Daily tablet report for 11 August 2026 (Turkey time). This is a new witness-level audit of Enūma Eliš Tablet VI, not a repeat of the July composite survey. The selected physical witness is STT 1, 9 / SU 1952, 060 / CDLI P338325, a Neo-Assyrian clay tablet from Huzirina. Its exact published line art preserves a direct construction sequence in which the Anunnakū speak, take up the hoe, make bricks, and fashion cult daises.

Main result: obverse 28′ preserves {d}A.NUN.NA.KI and the finite verb ibtašmū outside square brackets. That is stronger than mere proximity: the Anunnakū are grammatical actors in a construction clause. It is still Marduk-centered mythic theology, not a technical report and not evidence of spacecraft, genetics, or advanced machinery.

Exact line art of STT 1, 9, CDLI P338325
Exact-object line art of STT 1, 9 / P338325. CDLI credits the published copy; no usable photograph is exposed by CDLI or eBL.

Why this exact witness matters

The earlier corpus entry surveyed Tablet VI across K.12000.B, VAT 9676, and BM 54855. Today’s advance is narrower and stricter: STT 1, 9 itself is mapped to the construction rows, and the image-to-text claim is limited to what its identifier-locked exact copy can support. CDLI P338325 identifies the tablet, Huzirina provenance, Neo-Assyrian date, SU 1952, 060 excavation number, and STT 1, 9 publication. ORACC CAMS/GKAB P338325 supplies the witness transcription and published English rendering. eBL SU-1952.60 independently repeats P338325 and STT 1, 9 and reports that no photograph is available.

CDLI currently lists the Anadolu Medeniyetleri Müzesi in Ankara, while eBL’s API labels the museum as Şanlıurfa Museum. The report does not silently reconcile that catalogue conflict. Identity rests on the shared excavation number, publication number, and P-number; current holding is reported as catalogue-disputed.

Annotated exact-object rows for Anunnaku construction
Conservative whole-row alignment for obverse 23′ and 28′–29′. Boxes mark defensible rows, not independently read word clusters.

Image-to-text hard gate

The exact line art was opened at its original 825×3496 resolution. The obverse copy numbers the surviving register, allowing conservative whole-row placement at Tablet VI lines 59–60 (obverse 23′), 67–68 (obverse 28′), and 69 (obverse 29′). eBL’s manuscript apparatus independently maps SU-1952.60 to those line numbers. No word-level sign box is drawn. The classification is exact_line_art_or_squeeze_visible and edition-guided: the copy verifies row survival and damage/restoration status, while ORACC/eBL control sign values, word division, grammar, and translation.

Image-to-text evidence table
Visible, damaged-readable, restored, and edition-controlled evidence are separated.

Published translation and cautious working translation

Obverse 23′, published: “The Anunaku wielded the hoe. The first year they made bricks.” Working: “The Anunnakū took up the hoe; in the first year they formed its bricks.” The name and action are damaged-readable but not restored.

Obverse 28′, published: “After they had done the work of the Esaggil, all the Anunnaku created their own cult daises.” Working: “After the work on Esagil [had been done], the Anunnakū—all of them—fashioned their own cult daises.” The opening work verb is restored, so the exact-image core begins with the un-restored divine-group spelling and ends with the un-restored finite verb ibtašmū. Part of “all of them” is restored.

Obverse 29′, published: “The 300 Igigi of the heavens (and) the 600 of the Apsu all gathered.” This counted geography supplies context for the assembly, but the row does not itself spell Anunnakū. It must not be used as a substitute for the group-name rows.

Line notes for STT 1, 9
Published ORACC rendering and cautious working translation are kept distinct.

What the construction chain actually says

After Marduk divides the divine stations, the Anunnakū speak as a group and offer to build. Marduk orders Babylon, molded brickwork, and a raised cult dais. The Anunnakū then take up the hoe and make bricks. The text continues through Esagil and the upper ziggurat of the Apsû before stating that all the Anunnakū fashioned their own cult daises. The sequence is unusually direct evidence for a divine collective as construction agents inside Babylonian myth.

The reverse summarizes the labor logic: Marduk created people and imposed the gods’ work on them so the gods could rest. This supports the corpus strand connecting human labor to organized divine order. It does not describe a biological procedure, and the damaged creation rows near the top of this witness are not promoted into independent image-decoded proof.

Agency map for Marduk, Anunnaku and humans
The construction chain distinguishes command, collective divine action, ritual result, and human labor.

Corpus relevance and the Sitchin question

This witness supports a limited but important proposition: Mesopotamian tradition could portray the Anunnakū as an organized non-human/divine collective that deliberates and performs consequential building labor with hoes and bricks. It also links that activity to Babylon, Esagil, cult architecture, the Apsû, and a theology in which human beings bear divine work.

It does not identify the group as extraterrestrials, name Nibiru as their planet, describe spacecraft, encode genetic engineering, or preserve advanced technology. The tools are a hoe and brickmaking; the source is a learned creation epic copied centuries after its likely composition. The strongest conclusion is organized divine agency in a civilization-building myth, not a modern engineering dossier.

Corpus support and limits
A strong construction dossier does not establish extraterrestrials or advanced technology.

Sources and method

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